Funny People

Our culture is full of stories the witty person - think Tenalirama, Gopal Bhand, or Birbal. The theater forms have all had the comic as an integral part of the story. Indian cinema - Hindi as well as other Regional language cinema have seen many shades of humor. As Indians have become more confident, we have learnt to laugh at ourselves. Only someone who is secure within can laugh at himself or herself. Self deprecating humor is reflective of a self assured person. That confidence for some comes because of prosperity. For some even strife leads to its own variety of dark humor. I believe economic prosperity and exposure to a global environment have expanded the variety of jokes we Indians laugh at today. You see more comedy shows on TV than we did a few years back. Youtube and the Net has given us access to more brands and flavors of humor. So as a country we are discovering the joys of a global fare.Malavika Velayanikal of DNA newspaper spoke to couple of us on the question "Do Indians Have a Sense of Humor?" Here is the interview reproduced with her permission.

Let's admit it. As Indians, we aren't really famous for our sense of humor. It is a rather serious business, which, alas, we haven't mastered. Not yet, at least. We reserve our peals of laughter for the jokes on 'them'. And the 'them', obviously is Tamilian if you are Punjabi, Sikh if you are Malayali, or Nepali if you are Bengali. The pot of trouble is on high flame if the joke's on 'us'. For us Indians, humor is a vexing issue.It could be because we are a very religious country. At least, Osho thought so: "For centuries sad people have dominated religion. They have expelled laughter – from the churches, from the mosques, from the temples…." To him, seriousness was a disease that has been praised, respected and honored; and Indians, "are serious people" – very religious, very holy.Forbidden and dangerous territory as it is, a few brave men and women do test the waters. The ambitious ones tread on toes, and are quickly slain. The less smart ones are flayed. The perfect ones, survive.Comedies are galore on television. Many are ghastly, but the pleasing TRP ratings have ensured more converts. Filmmakers are on to it too. So are stand-up comedians.Author of bestseller Mediocre But Arrogant, Abhijit Bhaduri, feels we have learned to laugh at ourselves, as Indians have become more confident. "Only someone who is secure within can laugh at himself. Self deprecating humor is reflective of a self-assured person. I believe economic prosperity and exposure to a global environment has expanded the variety of jokes we laugh at today. So as a country we are discovering the joys of a global fare."While some believe humor has just arrived there are many who have been dabbling with it for years.Of course, we have a sense of humor and a resilient one, argues Mahesh Ramchandani, a freelance writer for television, who has scripted several of the Movers and Shakers episodes. "In spite of all that the politicians have done to us and to this country, we still manage to laugh. I think everyone has a sense of humor, including Suresh Kalmadi, although you won't see him laughing too much these days," he says.Swedish writer Zac O'Yeah, whose latest book, Once Upon a Time in Scandinavistan, an international bestseller, has always peppered his crime thrillers with humor. After living in India for over a decade, he sometimes feels there's more humor in India than in most other countries in the world. "I think perhaps the unique thing is that we who live in India often straddle multiple cultures at the same time. Somebody can be Bengali by birth, but grow up and live their life in Bangalore, and also be completely fluent in English. My belief is that the more complex your own cultural situation is, with a variety of influences from different sources, the easier it is for you to appreciate the comedy of life."We obviously knew how to laugh at ourselves in the past, says Reena I Puri, editor of the Amar Chitra Katha series. "Indian folktales are full of amazing humour. Look at Tenali Raman, Gopal Bhand or Birbal." She believes that Indian television humour has a long way to go, but "if I think of some of Hrishikesh Mukherjee's movies with Amol Palekar or Utpal Dutt, they were simply great."For O'Yeah, the classic humor exemplified by RK Narayan or the naughty humor in Bankim Chandra Chatterjee's Kamalakanta are the highest ideals – both quite advanced for their time. He enjoys an occasional standup comedy performance "by intelligent comedians like Aporup Acharya, for instance".But playing with wit, and escaping unscathed is rather tricky. Shashi Tharoor tweaked Mahabharata – almost as holy as it could get – married it to history, recast it with politics and won worldwide applause. But one stray tweet on holy cows and cattle-class had him reprimanded instantly, and retreating in haste. So writers like Ramchandani are doubly careful. How far one can push the envelope is a tough call."One has to weigh one's words all the time because what is permissible today was offensive yesterday and what is taboo today will become permissible tomorrow," he says. No television producer wants to lose a TV show and so they keep a close watch on their writers and keep showing us pictures of starving people in poor countries; this motivates us to self-censor, he says, jokingly.The moral police used to be the only police to watch out for earlier, but now we also have the politically correct (PC) police watching over us, Ramchandani says. "While the moral police gets offended if we take a potshot at their sacred cows such as god, religion, and so on, the PC has their own sacred cows and so, for example, at one time you couldn't get a pro-gay piece into the media, now you can't get a non-pro-gay piece in because the 'liberal' Taliban is watching. Some will say that is a good thing, which is exactly how the moral police defends itself," he says."My humor is a survival kind of one," says writer Shinie Antony. "I wanted to be a comedian when I grew up – partly because my report cards were a joke." All her books and writings are humourous, but her wit, she says is very self deprecatory. "There is a thin line between offending someone and being funny, which I have never crossed," she says.So says O'Yeah: "Even if as a novelist I prefer a comic genre, my writing isn't about having fun at some particular person's [or a community's] expense." He enjoys "a fairly gentle type of generic humour and which is mostly actually targeting myself [if it targets anything at all] or my own preconceived notions, or my own stupidity. In fact, I would like to claim that my humour is almost of the philosophical kind, but if I said that probably the community of philosophers would burn my effigy." That was a joke, by the way, he quickly adds.Politics seems like the favourite fodder of television humour. There is much entertainment in it, and on live Parliament debates, our politicians perform better than most comedians do. Laloo Yadav, Mayawati, Sonia Gandhi, Manmohan Singh, and Mamata Banerjee top the charts for chiding comedians. But political sensibilities are also quick to hurt, and the 'party' often cracks down on the artiste as well as his subjects.Once, a television show that Ramchandani was working on made some nasty jokes about gangsters. He recalls receiving anonymous calls telling them to take it easy. "We're particularly careful not to offend the feelings of gangsters and terrorists, because they are very sensitive people and also own guns, certain politicians who will remain unnamed and George Bush – because a channel, which will remain unnamed, that was airing one of our shows had given us clear instructions that we were not to make any jokes about George Bush. No kidding!" he says.Bhaduri too has ruffled several feathers with his wit. If you are a good humor writer, you would most certainly offend someone who is the butt of the jokes, he says. "One of the Professors of Mathematics at XLRI had told me I had caricatured him unfairly in Mediocre But Arrogant. A short story about the futility of New Year's resolutions drew the flak of an erstwhile colleague who claimed that the work-shirking, scheming person in the story was modeled on him. At the alumni meet of XLRI last December, a classmate came up and said that the character of Ayesha in Married But Available was modeled on her and that she didn't quite like that."The cultural elite of the country, after chuckling through hours of Seinfield, Monty Python and Woody Allen, are now sampling the slew of stand-up comedy shows live in the city. Bangalore, Mumbai and Delhi often get to enjoy live performances by American, British and Australian comedians. The recent Russell Peters' show in the city was sold out every day. Local comedians like Vir Das and Ruby Chakraborty are popular as well.We could argue on the cultural divide of humor in India for hours, and get nowhere. A sense of humor is, after all, a very personal thing. "That's why it's called 'a sense', I suppose," says O'Yeah. It will differ between different people depending on social class, cultural background and so on, he adds.Everybody has a sense of humour. Only the degree of it varies, feels Shinie Antony. To her, humour is an essential defence mechanism of the mind. "How you cope with a situation without losing your sanity." And laughter is addictive. "It is like applause," she says. "But humorists must learn where to stop with the jokes."In their quest for chuckles, comics could get carried away. After all, only blurred lines demarcate the boundaries between humor, flippancy and offence. So, funnymen, beware, when you go searching for that funny bone.

What do you think? Do economically prosperous nations produce more variety of humor? Do people who laugh at themselves make better colleagues?-------------Download my cartoon from here and feel free to use it.