Great People Decisions
September 27, 2008

How many of us are really good at hiring great people? OK, I can see many hands up in the air. Chances are that you are wrong - unless you suffer from depression. Twenty odd years back two grad students from Univ of Pennsylvania found out that depressed people are better judges of how much skill they have. Others carry a widely inflated opinion about their skills. 90% of managers rate themselves to be among the top 10% performers. How do I know this? Claudio’s book says so. Why do you think people get hysterical during appraisal discussions unless they have allowed to wear their personal halo and wings.
Being Indian by Pavan Varma
July 8, 2008

India is a complex puzzle to understand even for Indians. Just when you think you have summarized your understanding of India into simple sentences, you will come across evidence that totally undermines your beliefs. It is a picture that is continuously evolving. What you see around you is at best a snapshot in time of a billion plus people that are incredibly diverse. An Indian in two different states of the country may celebrate the same festival but know very little about each other and have limited exposure to the overarching Indian experience. Read more
Unaccustomed Earth
June 28, 2008

Each author has a favored setting. Sometimes it is just an imaginery world whether at Malgudi or the Middle Earth. That is where the characters come alive. There is also a favored time period in which most authors tend to operate in. Films are also like that. Each director tends to create a pattern of work. Jhumpa Lahiri is specializing in documenting nuances of the Bengali immigrants. With the Pulitzer Prize in 2000 for Interpreter of Maladies, a book of short stories she found her personalized parking spot among contemporary writers. Then came her novel The Namesake in 2003 which became a phenomenal success even as a film directed by Meera Nair. If I had to compare her first two books, I would vote in favor of The Namesake as representative of her skill as a writer. Except for the title story in The Interpretor of Maladies, which I loved, I did not find the others very engaging. That explains why i am not on the Pulitzer Prize panel of judges !
Jhumpa Lahiri is herself a product of the immigration experience. So it is natural that she speaks about the inner world of the Bengali immigrant. The stretches and demands that happen when people leave their land of birth and lead a life that they are unaccustomed to. This time it is about children of immigrants and their awkwardness in straddling the world that their parents never seem to give up and the world around them in a country outside of India that they inhabit. The Slate puts it aptly
It is about not fitting in or settling down, not starting over from scratch and freely forging a new identity or destiny. Her characters balance precariously between two worlds—not just Asian and Western, but inner and outer, traditionally circumscribed and daringly improvised, unwilled and willed—and they do so not just transitionally, but permanently.
When you have eight short stories to read in a book, chances are that there are those I liked more than others. Like in her first novel, I liked the title story the best. It is about the daughter coping with the death of her mother as she stumbles upon evidence of her father’s romantic interest in another lady. The beauty of the prose lies in being able to capture how the two different world views lead to an awkwardness in the relationship. Another story I loved in this collection was the one called Heaven and Hell. That is the story of a Bengali wife’s attraction to another immigrant Bengali man only to fall out of favor for marrying a white American lady. A story that will remind you of Satyajit Ray’s film Charulata which remains one of my all time favorites in cinema.
The stories are all about upper middle class Bengali couples and their children who have grown up in the adopted land. The subtle insights into that world are charming. For instance the struggle of parents whose son drops out of an Ivy League college and becomes an alcoholic reflects the Bengali immigrants’ view that education helps a person to climb social rungs in the adopted home.
Her natural style seems to be the longish short story. Or shortish novel (is that a novella?) if you will. I find that format tougher and more stringent in its demands of form and characterization. Yet Jhumpa Lahiri does it well… at least in majority of the short stories in Unaccustomed Earth.
Meet Karan Bajaj
June 12, 2008
A writer is a product of his own experiences. If you lead an interesting life, you will inevitably have a zillion stories within. The trick is perhaps to find a reason to share them with the world. A book becomes a natural outlet to share the author’s inner world with the readers’.
It is always a great moment to see a book being launched. Especially if it is an author’s first book. There is all the excitement of a first time parent. Karan Bajaj, the author of Keep Off the Grass recently launched his debut novel in New Delhi. The book is about the protagonist’s “trip”. I caught up with him post the book launch.
His website explains that the book is about “Samrat’s roller coaster journey in India starts from the Indian Institute of Management (IIM) in Bangalore, and almost ends in an Indian prison cell where he is jailed for possession of marijuana. Along the way, he develops a dangerous, all-consuming drug addiction; meditates stoned in the foothills of the Himalayas; encounters flesh-eating Aghoree saints on the banks of the Ganges in Benares; indulges in a bizarre one-night stand with a Danish hippie in Dharamsala; and has many other mystical, surreal Indian adventures.”
1. What is the one thing you hope the reader will say about your book?
That Ruskin Bond was accurate when he said that Keep off the Grass is ‘A racy and entertaining account of a romp through an ever-changing yet timeless India…..Wild, Witty and Wicked!’
2. What is the one feedback you NEVER want to hear.
That the book isn’t original/has nothing new to say.
3. Which other book comes closest to your novel?
Hopefully, none J
4. Which authors writing style inspired you?
Upamanyu Chatterjee (English August), Ruskin Bond (quite a few of his novels), and Winston Groom (Forrest Gump). English August inspired me with its dry, sardonic humor; Ruskin Bond for his simple yet very profound observations; and Forrest Gump with the extraordinary journey of its very ordinary protagonist.
5. Describe the moment when you saw the first copy of the book… where was it … who was around you to share the moment and what did you do to celebrate it?
Unfortunately, it wasn’t very poetic. I got my first copy in a badly-lit restaurant where I could hardly see the cover, and celebrated it over cold tea and soggy chips (because the restaurant had already shut down for the night). The saving grace was a wild after-party I had with a few close friends!
6. First books are best if they are autobiographical. Do you agree?
I believe they should borrow heavily from one’s experiences, but shouldn’t be autobiographical-since commercial fiction should always be more interesting than reality.
7. Describe the reader (in terms of demographics) who would absolutely adore this book.
The Young and the restless- seekers who are on a search they can’t define.
8. If this book became a movie, who would play the protagonist if you had a choice.
The ‘if’ is closer than you think-a movie-deal is actually in the works. If I had a choice (and a time-machine), a much younger Nana Patekar would have been perfect.
9. Which book are you reading now?
Jhumpa Lahiri’s Unaccustomed Earth, and re-reading Roald Dahl’s short-stories.
10. Advice to aspiring novelists who haven’t found a publisher yet.
Contact a literary agent directly .











